6/22/2023 0 Comments Double negative vfxFurther elemental effects come later, in a scene where Lizzie runs away, crossing a bridge over a lake. To finish the scene, the lighting was changed to reflect the middle of the night, and a suitable sky was added. The original footage actually took place overlooking a huge quarry in bright sunlight, so Double Negative not only removed the quarry and surrounding roads, but also created an entirely new horizon, complete with winding stream and distant cottages. In another pivotal scene, Lizzie sets off in a carriage through a vast landscape in the dead of night. We were on hand during every stage of filming to advise him of which environmental discrepancies, we could solve in post production - to ensure he could direct with as little interruptions as possible. Rather than disrupting the filming to wait until the next morning, we changed the lighting of later shots to match the earlier footage, adding some CG mist and a new sky. In one scene filmed at 4:00 am, Lizzie (Keira Knightley) and Darcy (Matthew Mac Fadyen) become entangled in a romantic clinch just as the sun rises behind them.Īdded Moffatt, While shooting, the lighting changed drastically, and we ended up in full daylight. Another factor was altering the lighting conditions after scenes had been shot to enable continuity for the actors. This involved the creation of new skies, which are impossible to distinguish from reality, but reflect the grandeur of the Great British countryside. The last thing we wanted was for the audience to be jolted from the realism of the story by a breathtaking but distracting visual effect, so we instead concentrated on creating subtle enhancements so realistic that they are invisible to the audience.ĭouble Negatives creative work allowed the director a greater level of creative control by enabling him to carry on filming even when the environment was not quite perfect. We eventually decided that a more realistic approach would allow Joe the freedom to let the actors tell the tale in what is essentially a character-driven film. For example, we initially agreed on a very stylized approach, so created very dramatic, Turner-esque skies as backdrops. John Moffatt, vfx supervisor, Double Negative said, We had a very collaborative relationship with Joe throughout the entire project, offering him as much flexibility as he needed to focus on directing the film. This involved several tactics, from enhancing the appearance of some of Englands finest stately homes, to enhancing the skies and landscapes to suit the purposes of the director. The original notion was to use computer-generated imagery to enhance the pivotal aspects of the film. With the guidance of British director Joe Wright, the Double Negative team has helped to realize a stunningly beautiful vision of Georgian England that the elements would not necessarily have first provided. Jane Austens classic novel PRIDE & PREJUDICE, one of the greatest and most memorable battles of the sexes ever portrayed in literature, has been enhanced for its latest cinematic release by leading London visual effects house Double Negative.įresh from critically acclaimed work on BATMAN BEGINS, KINGDOM OF HEAVEN and the HARRY POTTER franchise, Double Negative has created 400 invisible shots for the new film, which tells the tale of the five Bennett sisters and the mysterious Mr.
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